Black Code (co-edited by @jmjafrx and @NewBlackMan)

jmjafrx:

Delighted to share the latest special issue of the Black Scholar on the convergence of black studies and the digital humanities known as Black Code Studies–co-edited by Mark Anthony Neal and yours truly!

See below:

The Black Scholar is proud to announce the release of “Black Code,” a special issue of the Black Scholar. The guest editors, Jessica Marie Johnson and Mark Anthony Neal, have assembled a collective of digital soothsayers working on the margins of Black Studies, Afrofuturism, radical media, and the digital humanities. Black Code Studies is queer, femme, fugitive, and radical; as praxis and methodology, it waxes insurgent when the need arises. And in this moment, we are in need of Black digital insurgency, one attuned to racial scripts of the past even as it looks to future modes of Black thought and cultural production for inspiration. Barely scratching the surface, this issue welcomes new work and celebrates a Black digital fugitivity that has been present since the beginning of the internet. Our contributors include Alexis Pauline Gumbs, Lauren Cramer, Alessandra Raengo, Tara L. Conley, Ashleigh Wade, Aleia Brown, Joshua Crutchfield, Megan Driscoll, Ahmad Greene-Hayes, and Joy James, with an introduction from Jessica Marie Johnson and Mark Anthony Neal, and cover art from John Jennings celebrating Octavia Butler’s iconic novel Wild Seed.

Preview the introduction by Johnson and Neal, the co-editors, by following this link:
http://ift.tt/Jvceu6toc/rtbs20/47/3?nav=tocList

We hope you enjoy the work as much as we enjoyed bringing this phenomenal group of scholars together! Hurray! It’s here!!!

___

Jessica Marie Johnson is Assistant Professor of Africana Studies + History at Johns Hopkins University. Her work appears in Slavery & Abolition, The Black Scholar, Meridians: Feminism, Race and Transnationalism, and Debates in the Digital Humanities. Her research is on Atlantic slavery and diaspora, with a focus on women, gender, and sexuality. Contact: jmjohnso@gmail.com, @jmjafrx on Twitter.

Mark Anthony Neal is Professor of African + African-American Studies and English at Duke University, and the author of several including books Soul Babies: Black Popular Culture and the Post-Soul Aesthetic and Looking for Leroy: Illegible Black Masculinities. Neal directs the Center for Arts, Digital Culture and Entrepreneurship. Contact: dr-yogi@att.net, @NewBlackMan on Twitter.



via Diaspora Hypertext, the Blog http://ift.tt/2wmQaxI

“Blackness is a technology in and of itself. The way we survive and thrive has always been contingent…”

“Blackness is a technology in and of itself. The way we survive and thrive has always been contingent on building technologies against the system that sets us up to fail.”

- Kimberly Drew, Founder of @blackcontemporaryart in The Lenny Interview: Kimberly Drew, aka @MuseumMammy​​ with Doreen St. Felix (via blackcontemporaryart)

Google Has Quietly Dropped Ban on Personally Identifiable Web Tracking

Google Has Quietly Dropped Ban on Personally Identifiable Web Tracking:

quietly-islayem:

tygermama:

thebyrchentwigges:

lioness-hart:

Guys, this is really important. Until now, Google collected your data, but did not attach your name to it. Now, they can, and will. This new thing they’re doing will allow them to collect your data across searches, your email, Youtube, Maps, Google+, and all their affiliates, and build a complete profile of YOU.

If that doesn’t bother you, maybe this will: they own and can sell all that data, including anything you create and send (artists and writers, take note).

There is a way you can opt out of this ridiculousness. It’s described in the link, but if you’re still not sure about it, please ask me and I’ll guide you through how to turn all this off.

This is my wake-up call. I’ll be locking down my devices and scaling back what I put through the big Google machine, which means you may see less of me across social media. I’m going to keep researching this, but it may mean in order to keep the rights to my creative work, I’ll have to keep it out of Google’s hands. And that may take some doing.

Duckduckgo is a nontracking search engine….may be worth a try.

So according to the article there is an opt out for this. Instructions are I the last paragraph. I’m on mobile so I’ll edit this more later. EDITED TO INCLUDE OPT OUT INSTRUCTIONS

To opt-out of Google’s identified tracking, visit the Activity controls on Google’s My Account page, and uncheck the box next to “Include Chrome browsing history and activity from websites and apps that use Google services.“ You can also delete past activity from your account.

Somebody remind me to do this in the morning

instagram: Celebrating One Year of Instagram Stories Video by…



instagram:

Celebrating One Year of Instagram Stories

Video by @100Soft on Instagram.

A year ago today, we brought stories to Instagram and quickly saw a shift in how people share their everyday experiences with their friends and followers. Our community had an entirely new way of sharing not just life’s highlights, but the in-between moments that bring us closer. Your stories have brought us behind the scenes, from your dog’s terrible haircut to videos from last night’s concert. Thanks to our growing community of 250 million who are sharing these experiences with us every day!