Inaugural issue of the Journal of Digital Humanities

Inaugural issue of the Journal of Digital Humanities:

The debates around the role of ‘theory’ in digital humanities are debates about the relationship between saying and doing.

- Natalia Cecire


The Journal of Digital Humanities (ISSN 2165-6673) is a comprehensive, peer-reviewed, open access journal that features the best scholarship, tools, and conversations produced by the digital humanities community in the previous quarter.

The Journal of Digital Humanities offers expanded coverage of the digital humanities in three ways. First, by publishing scholarly work beyond the traditional research article. Second, by selecting content from open and public discussions in the field. Third, by encouraging continued discussion through peer-to-peer review.

The Journal of Digital Humanities selects content from the Editors’ Choice pieces from Digital Humanities Now, which highlights the best scholarship—in whatever form—that drives the field of digital humanities field forward. The Journal of Digital Humanities provides three additional layers of evaluation, review, and editing to the pieces initially identified by Digital Humanities Now.

The Journal of Digital Humanities and Digital Humanities Now are produced by the Roy Rosenzweig Center for History and New Media.

So proud to be a part of this!!! (Moya)

Making Things in the Digital Humanities

Making Things in the Digital Humanities:

jackflaps:

Lots of good stuff here about designing tools as a way of directly engaging in producing memory, while also keeping out of the usual academic traps of dispassionate analysis or talking about one’s province of practicing humanities as separate from all the others. There’s more here than I can really touch on in a brief summary, plus there’s lots of good links to other articles to read. Recommended if you care about the DH stuff I post.

But man, I’ve been out of the game for so long doing the librarian thing that I had trouble keeping up with the language here! I miss being a real historian sometimes.

"…one of these, is not like the others." – By Natalia Cecire

"...one of these, is not like the others." - By Natalia Cecire:

I’m sure you see where I’m going with this. The perverse notion that the most established and privileged people in the field are a precious indigenous culture whose tacit knowledge the colonizing discourse-wielders (who happen to be disproportionately female, brown, queer) cannot possibly appreciate is a prime example of nerdiness serving as a place for white men to feel embattled.

Let’s be clear. The fact that you build things that other people have trouble understanding does not make you similar to Native Americans at the moment of colonization. At all.


-Natalia Cecire

Black Girls Code

Black Girls Code:

This is kind of my favorite thing ever.

BlackGirlsCode was founded by Kimberly Bryant a Biotechnology/Engineering professional who received her first taste of computer programming as a freshman in Electrical Engineering back when Fortran and Pascal were still the popular languages for newbies in the computing world and the ‘Apple Macintosh’ was the new kid on the block.   Kimberly decided to launch BlackGirlsCode to meet the needs of young women of color who are underrepresented in the currently exploding field of technology.  Much has changed since those days and the mission of BlackGirlsCode is to introduce programming and technology to a new generation of coders who will become the leaders and creators of tomorrow.  Our goal:  Build the Future 

Digital Humanities and Puerto Rican Studies

Reblogged from PhDeviate.org. Feel free to leave comments here or there!

#TransformDH

The hashtag #transformDH has taken on a life of its own, and pretty soon I hope to have my chronicle of how it came to be up and readable, but for now, let me say that the mission statement of the #TransformDH Collective (as we have taken to calling ourselves) is “To use the methodological insights of queer and ethnic studies to produce a transformative effect on the digital humanities and produce a digital humanities that is itself transformative.” It was born out of a desire for more of a number of separate but interrelated things:

  • A wider diversity in the people who do DH
  • A wider diversity of topics and areas of DH inquiry
  • More communication and connection between people doing queer or ethnic studies DH work
  • And more…

For my own part, my interest was sparked by conference attendance. At MLA, ASATHATCamp and other conferences I’d been to, I had grown, over time, accustomed to seeing panels tweeted. I grew to appreciate the ability that twitter offered to follow some of the great moments, even if they were just textual soundbites, from panels I could not attend. When I got to the Puerto Rican Studies Association conference in 2010, tweeting conferences had become second nature to me, and tweet I did.

I was almost the only one. PRSA hadn’t chosen a hashtag, hadn’t coordinated, and we just didn’t create the online splash of even a regional THATCamp, despite being a conference several times the size. I started wondering why. This led me to propose the THATCampSoCal session “Diversity in DH.” We talked about a lot of things there, and some great things have sprung from that session, but I still haven’t been able to bridge the divide I see in two of my fields of interest.

Call for Participants

Together with some good twitter friends, I’m putting together a roundtable for the upcoming Puerto Rican Studies Association conference. (I moved at the last meeting, by the way, because #PRSA is taken by the Public Relations Society of America, the Puerto Rican Studies hashtag is now: #PRStudies.)

I’ve set up another google doc and would like to begin a large conversation. I have been working on the theories and practices of bilingual digital representation for a while–I am interested in how we represent bilingual texts online. Inspired by a conversation with Aurora Levins Morales, I realized that while my own project is important, it has a much more important place in the context of a larger project. Puerto Rican Studies, as a field, needs to have real and practical conversations about the digital projects that exist, and about the digital projects that need to exist. Let’s start talking about a digital museum and library of puertorriqueñidad.

Building a Team

I’ve been in contact with a few people with great Puerto Rican Studies digital projects, and I’m looking for more (do you know some? send them my way!). I’ve been in contact with people about the overlap between such a project and an even larger project–Latino/a? Latin American? The Americas? Please, if you are interested, leave a comment here, or send one through the comment form on the home page, or email me, or tweet @PhDeviate. If you’re interested in participating in the roundtable at the Puerto Rican Studies Association, let me know that as well, and I’ll give you edit privileges to the google doc.

Back to #TransformDH

This is the kind of project that we in the #TransformDH collective are envisioning. In this case, how can Digital Humanities transform the ways we publish, archive, disseminate, make available, and even translate Puerto Rican cultural production? And how could this project change the ways that Digital Humanities thinks of itself?

#TransformDH — What we’re about

We ask how has digital humanities  been defined; who benefits from that definition? How can digital humanities benefit from more diverse critical paradigms, including race/ethnic studies and gender/sexuality studies? And what can modes of digital scholarship and pedagogy offer to scholars and teachers in American Studies? We discuss various ways digital scholarly work can productively engage with these lenses of critical cultural studies and solicit new ones. What works of digital scholarship, art, activism and pedagogy enable new possibilities for activating transformations in contemporary US cultural politics?

How can the methodological insights of queer and ethnic studies produce a transformative effect on the digital humanities and to produce a digital humanities that is itself transformative?